Claude and I met half a year ago at the public painting exhibition organised by the seventh Prince of the Kingdom of Valkenburg.
At that time, Claude was a fledgeling painter, and he exhibited his unique avant-garde work, which is quite different from the mainstream realism paintings, at the exhibition.
A goddess bathing in a fountain in the middle of a forest.
His work, which became highly acclaimed later, was quite unpopular on the first day of the exhibition.
Everyone criticised it, âItâs a primitive and crude painting,â and âIt looks as if this was painted by an amateur who knew nothing about painting.â
However, I didnât think that.
I couldnât move from my spot the moment I saw his painting.
The trees and plants that were painted delicately over time looked as if they were rough.
Even as an abstract, the goddess who exposed her body was beautiful and charming.
The adorable animals flocking around the goddess.
I thought that it was a beautiful painting.
I was utterly fascinated by it in an instant.
When I came back to my senses, I pushed through the crowd to look for the person who had created that painting.
It was the first day of the exhibition, and I was sure that the painter would come to observe the painting theyâd exhibited.
I walked around the hall with Claire and asked people if they had seen the person who had painted that painting.
Then, Claude came to find me, probably because he had heard that I was looking for him.
Claude Ritter was a young man in his early twenties.
His wrinkled shirt and frayed trousers seemed really out of place in a room filled with dressed-up ladies and gentlemen, and it was easy to imagine that he wasnât rich.
He couldnât hide his vigilance towards me, and he looked suspicious.
He had probably thought, âWhat does this young noble woman want with a fledgeling artist like me?â
I was excited and paid no heed to his attitude. After a brief introduction, I went straight into what I thought of his painting.
ăI fell in love with your painting. If you donât mind, I would like to help you to continue to bring these beautiful works out into the world. ă
Claude looked flabbergasted; probably because he never imagined that this would happen, or he might have just thought I was crazy.
It was normal for people to get confused if a young girl said such a thing on a first meeting. He must be thinking, âWhat is she thinking? What does she want?â
At that time, I had no intention of making him my ăloveră.
I was just genuinely fascinated by his painting and wanted to help him create more.
Back then, I still hadnât wasted money. I saved the generous allowance that my husband had given me and had barely spent any of it.
At any rate, I hadnât wasted money and had wanted to use it for something meaningful, which was what supporting this artist was.
To be more convincing, I desperately told him how great that painting was and how shocked I was by it.
I told him that I wanted to see his other works and that I would buy them if I liked them.
He was a handsome man, but he wasnât interested in his appearance and didnât have any ulterior motives.
I would have probably made him the same offer even if he had a face that people didnât want to see twice.
At that moment, all I was evaluating was his talent as a painter.
Claude listened seriously as I blabbered on and on and thanked me many times.
And whether it was because it was troublesome to refuse a persistent person, or if it was because he was moved by my passion, âââ I donât know which; but although he had declined my offer at first, he agreed in the end and let me be his patron.
At first, I had only passed his money to the servants, but then I started to go to all his exhibitions, and I started to talk to him more.
Our relationship had been neutral at first, but then he invited me to his studio to see a painting he was working on. From then on, I started to visit him more regularly, and we got to know each other better.
Claude was a mysterious person, and he didnât see me as a woman even though he was the target of my rumoured love affair.
Perhaps because of that, I didnât get nervous whenever I was in the same room as him, and I always feel at ease when we are together.
It was like we had been friends for a very long time.
It wasnât awkward even if there was a momentary pause in our conversation or if there was a long silence.
At one point, I revealed my mixed feelings towards my husband.
Claude didnât laugh at my foolish thoughts.
He listened to me seriously, and he was worried about me. âYou wonât be happy like this,â and âIs there no other way?â He would say.
And finally, he even said that he would help me.
ăItâs thanks to you that I can draw, so I want to help you.ă
I was happy with just those words.
And most of all, Claude is an important friend to me.
I couldnât use my precious friend for a purpose that I thought was moronic.
I refused many times when he said that, but he didnât budge.
He even took on the role of my lover so that people would undermine my reputation.
Even though his reputation also dropped at the same time.
âEnough of that. From what I can tell, it seems to be going well. You waste money, gamble, treat the servants badly and even got a lover. To make matters worse, you defy your husband. Youâre nearly the perfect immoral woman. Lord Rosenstein is really patient with you,â Claude said, his voice tingling with laughter, as he stirred the tea with a silver spoon after I had explained that I had been lectured by my husband for wasting money.
I had been gazing at the canvas in the corner of the room, but I looked back at Claude, who was sitting across from me and nodded.
âYes, I think so too. He is a very patient man.â
âIf he does divorce youâŚâ Claude suddenly said while looking serious, â⌠then come here. Iâve said this many times, but I can support you and even pay you wages.â
âAs an assistant?â
âNot an assistant, youâll be the help.â
I married into the Rosenstein family as a political tool and would not be permitted to return home if I donât accomplish my role.
But then again, I never want to go back to that house.
I am prepared to enter a monastery or fall into prostitution after he divorces me, but Claude said that he would take me in when he found out about this.
Unlike when we first met, Claude has become a well-known painter and now earns a decent living even without my investment.
It was simple for him to at least hire one servant.
âThen Iâll have to diligently work on my sewing and cooking.â
âWhat about cleaning and laundry?â
âIâm confident with that, especially when it comes to sweeping fallen leaves. âââ You donât have a garden, so I wonât get the chance to show you my skills. And I can do the prep work for food like plucking chickens and draining their blood.â
âI think thatâs good enough.â
âNo, itâs not. I have to do my job well because youâll be hiring me.â
Claude stared at me and then suddenly laughed.
âDid I say something strange?â
âNope, you didnât.â
He put his hand over his mouth and tried desperately to hold back his laughter.
This happens sometimes.
He would suddenly laugh after I say whatâs on my mind.
My naĂŻve remarks might be amusing.
I tilted my head while wondering what I had done this time, and Claude whispered, âOh, I really ââââŚâ
âWhat?â
âHave a lot of fun when Iâm with you.â
When I heard that I felt strange; happy, but extremely hurt.
There werenât many people who acknowledged my existence like this.
This was also true before I put on my act as a selfish, domineering, and arrogant woman. I am always hated.
Even my father neglected me.
My half-sister also hates me.
After marrying into the Rosenstein House, the servants looked at me coldly and even my husband âââ.
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âThanks, Claude,â I said as if to block the emotions that were swelling up inside me.
âYou have really saved me. Thanks.â
I was vexed because I could only express my thoughts and emotions with these common words.
Still, Claude said to me with a soft and dazzling smile, âYouâre welcome.â